Scenes I need…

thoughtsfromthewindowsill:

fangirlfreakingout:

runnerfivestillalive:

artemxmendacium:

Peter Parker: -on meeting Loki, offers his hand- Hi, I’m Peter!

Loki: -shakes his hand- Loki of Asgard.

Peter: Aren’t you like…a bad guy?

Loki: It varies from moment to moment.

Peter: So like…on a scale of one to ten, ten being the worst evil imaginable, like…killing puppies, and one being I’ll spit on your hotdog…where are you right now?

Loki: …maybe a three?

Peter: Cool. Lemme know if it gets above a six.

Loki: -thinking- I like him.

It had been a joke, a flippant line, but somehow, Loki found himself taking the youth up on it.

It was hard living around these heroic Avengers, hard trying to stay close to Thor. And when he felt his need for mischief rise too high, when he felt exasperation with these Midgardians turn too close to spite, he would casually say “Six.” to the young man, or sometimes “Seven.”

And Peter would spend the rest of his day with Loki. He would badger him with questions about magic, or drag him across his beloved city to see its entertainments, or take him along stopping petty crimes. He grounded Loki to the here and now, and distracted him from the churning, jagged shards of ice in his mind.

WE NEED LOKI AND PETER FICS

Yeah, the people who write the comics agree with you

got home at 3pm, was planning to finish my assignment today

started working on it at 11pm

hustlerose:

absolutefuckingdumbass:

hustlerose:

no you know what? fuck this? fuck you. all furries should be locked up for their crimes. if you’ve ever had a fursona you’re scum. 

op lets swap urls

i dont think i’ve ever been owned this hard. i think i owe you money now

Superman

jumpingjacktrash:

crazy-pages:

firebirdeternal:

crazy-pages:

I just realized that Clark Kent probably works at the Daily Planet because it means he and his super-senses are planted right in the middle of a bunch of investigative journalists all day long. He probably knows more about Metropolis’ corruption and abuses of power than anyone else in the world, just by virtue of existing in the Daily Planet’s vicinity. 

I imagine also that he works there for the reverse reason.
Think about all the things he knows about the people in positions of power in the city that Really Should be made known to the public, but he can’t figure out a way to legitimately excuse having that knowledge?
Well, all he has to do is drop a hint of a thread in the lap of someone like Lois Lane and his coworkers and friends will be on it like bloodhounds, with a firm air of legitimacy that he himself would never, ever have. Because honestly? Clark Kent probably knows that “I heard about it with my magic alien hearing” isn’t and SHOULDN’T be admissible in a court of law or public opinion. But aiming some good old fashioned investigative journalists in the most competitive news organisation in the city at it? Perfectly legitimate.

Villain: “Hah! What are you going to do, punch me for tax evasion? Lock me up for conspiracy? With what court-admissible evidence? Admit it Superman, there’s nothing you can do here.”

Superman: “Guess not.” 

Later, Clark Kent at the Daily Planet watching his colleagues work: “My god, they’re like bureaucratic piranhas. They went through his entire IRS filings for the last eight quarters in thirty minutes flat.” 

i mean, canonically it’s so he’ll have a reason to be on the scene whenever something is happening, and if it requires super-help he can duck around the corner and do a quick change. but in the era of internet and smart phones, he could just set up a bunch of google alerts or whatever. so the secondary purpose of being in the middle of all the information is more primary now.

Changing literally anything about TLJ except the plot (as outlined by Wikipedia,) fix it. Dialogue. Gags. Costume designs. Heck, even motivations, as long as the result of those motivations is the same. Luke doesn’t have to be a coward as long as he still pulled a saber on his nephew and ran off to an island in uncharted space. (Though how he could be anything else and still do that, I’m not sure how.) You can even reinsert, cut, rearrange, or even create minor scenes. Could it be watchable?

garzabird:

lj-writes:

Oh, I have so many. So many. Simply changing the framing would make the whole thing so much better.

– First of all, all the jokes have to be rewritten. No. Bad.

Other points, going by plotline:

Keep reading

Holy shit that actually works? I kindof didn’t think it could be done. I’m impressed.

The characters stay in character from the first movie, and their decisions and the ensuing plot make sense based on their past and their motivations? What a crazy concept.

izzyaardvark:

nobody’s fucking talking about how Isabelle is canonically LGBT enough to get on the wiki page for LGBT video game characters which is where all fundamental truths come from

skywalkerstyle:

tbh the fuckin wildest part of the fmab finale

is this gotdang outfit

I mean Diesel jeans? a solid River Island black tshirt? a cute cream Gucci hoodie? It’s nice????

where did ed get this?? It’s nicer than anything he wears at any point in the show

is this his backup outfit? he dresses like a blind goth for years and suddenly busts out this look?

What I take from this is that the only way to get Ed to wear cute clothes is to physically destroy all clothes he owns in battle and then have him give up his science magic door so he can’t make more

Fullmetal Alchemist Brotherhood is a sixty four episode series about finding a way to take away Edward Elric’s ability to make his own awful clothes