drst:
drst:
A couple weeks ago The Mary Sue announced they weren’t going to cover “Game of Thrones” any more after yet another female character being brutally raped. The thread is still being invaded by trolls periodically, and there are more than 12,000 comments on the article, which is a site record and probably an internet record. (12K comments because a single website said “We’re not going to recap or promote this show any more.” Baffling.)
Tons of trolls have thrown out the “but THINGS WERE JUST LIKE THAT BACK THEN!” argument ad nauseum. Which is total bullshit, of course. Now with the season finale of “Outlander” (which, spoiler, also included rape) the trolls are coming back.
I just want to ask, why is it whenever producers/directors/writers want to demonstrate “gritty historic realism” it’s ALWAYS RAPE? It’s always sexual violence toward women/girls.
You know what would be gritty historic realism? Dysentery. GoT has battles and armies marching all over the place. You want to show “what things were like back then”? Why aren’t we seeing 500 guys by the side of a road puking and shitting their guts out from drinking contaminated water while the rest of the army straggles along trying to keep going? Or a village getting wiped out by cholera? Or typhus, polio or plague epidemics?
You want to show what it was like back then for women? Show a woman dying of sepsis from an infection she caught while giving birth. Show a woman coping with ruptured ovarian cysts with nobody know what it is. Breast cancer that the audience will recognize immediately but the characters think is some mark of the devil or some shit.
But no, it’s always rape. And we all know why that is. Because these douchecanoes that do this, though they’ll deny it, think rape is sexy. Because they can’t make a modern set story where women get raped in every god damned episode without being called monsters. So they use “but but historical realism!” to cover their sexism (see “Mad Men”) and misogyny. Then they tell us “That’s just how it was back then!” with the clear implication “Shut the fuck up bitch, because that could be you and you should be thanking me that it’s not.”
Can we propose a rule for “realistic” historical fiction/fantasy? Twelve graphic cases of dysentery for every one graphic rape?
^^ I like this idea.
Maybe if high fantasy writers and creators weren’t all fucking hacks who’ve been riding JRRT’s dick for the last fifty years and insist on making every single god damn fantasy world they create a boring retread of Middle Earth based on the same three hundred year span of time in four countries of Western Europe they wouldn’t all have to rely on the same garbage logic to justify their garbage misogyny.
You know, they could deny that they find rape sexy, and they might even believe their own denials. But the point is that they clearly don’t think of rape as something distasteful enough and disgusting enough to omit.
And you know what, I’m not even gonna insist on the dysentery. Just this: if you’re going to include rape on the basis of historical accuracy, none of your female characters are allowed to have shaved legs or armpits. And all of your characters have to have terrible teeth – yellowed and worn and crooked, because nobody’s getting braces or regular visits to the dentist – with at least a few teeth blackened or missing for every character over the age of thirty.
Of course, if your reaction to blackened teeth and hairy armpits is “ugh, no, sure it might be historically accurate but it’s gross, nobody’s going to want to watch that" and you don’t have the exact same reaction to rape, you might want to think about why that is.
I’m tired of the doom and gloom “bernie is losing, we’re failing him!” posts so listen up
A polical science lesson for y’all:
- Bernie is not “falling behind” and we’re not “failing him”
- In fact, posts like those are MORE likely to discourage voters and kill his momentum than encourage them
- At this point in the race, it is NOT ABOUT THE DELEGATE COUNT, IT’S ABOUT MOMENTUM
- who has a lot of momentum right now?? BERNIE. He has done FAR BETTER THAN EXPECTED while Hillary has done much WORSE than expected
- like i said delegate counts don’t really matter much right now
- BUT just so everyone knows, as of 2/24 Bernie and Hillary are TIED
- They both have 51 delegates each
- lots of news sites are saying hillary has a huge lead on bernie with delegates because they are assuming the superdelegates are with her but that’s all just speculation Not. Fact.
- Super Tuesday (on March 1st) has a lot of southern states who will most likely favor Hillary but that’s ok because
- ALL DEMOCRATIC PRIMARIES AND CAUCUSES ARE PROPORTIONAL
- YOUR VOTE ABSOLUTELY HAS IMPACT
- even if hillary “wins” some states bernie will still get delegates and THAT’s what’s important!!!!
- YES get out there and vote because it’s Super Important I Cannot Stress That Enough
- but also know that it’s NOT doom and gloom, bernie ISN’T DOING BADLY AT ALL and we aren’t “failing him”
@ everyone who went through a period of having no friends, who ate alone, who had a point in their life where they were too embarrassed to tell their parents they had no one to play with after school: I love you. I know it hurts and I know it’s hard but it’s not your fault. Things will grow and change. You will find people who you click with and they will love you too. You deserve positive friendship relationships just like anyone else. And if you’re still going through this phase, you’re strong, and things will change for you too. You are not alone, there are people experiencing the same thing you are, find them, you deserve positivity and companionship. Keep your head up.
Guys there is actually a german ripoff of Aladdin by this terrifying “animation company” (I use that term loosely) Dingo Pictures and I wanted to share Aladdin’s song b/c it is funky fresh
@ghostofmoriarty EMILYYYYY
@pikmingirl GURL I AM LOSING MY SHIT
このノートに名前を書かれた者は…(▽ミズキ)
The person whose name is written in this notebook…(▽ミズキ)
*ominous Death Note writing music*
The person whose name is written in this notebook will, in 40 seconds…
forget how to ride a bicycle
wHAT THE HELL IS THIS *falls off bike*Japanese vines are higher level
First, I wanted to say that I love love love your Harry Potter fics and what-ifs! thank you so much for writing them :) And I also wondered if you ever written what if the Dursleys had refused to take Harry in?
When Petunia Dursley refused to take Harry in she forfeited his birthright protection, so Dumbledore took the baby to the safest place he knew: Hogwarts.
The applicable staff (mostly just… not Snape) took Harry in on a rotating schedule as he grew from baby to toddler to child. They traded extra credit for babysitting among the older students, and Harry grew up knowing a few dozen different laps that were safe and warm to nap in.
This was a Harry who grew up among books, among old transient walls and learned professors. They gave Binns night duty sometimes, and let him talk young Harry to sleep. This was a Harry whose world changed, on principle, daily. The stairs moved. The walls became doors. You had to keep your eyes open–you had to pay attention. So he did.
He grew up in a school. Knowledge was power, but knowledge was also joy. This was his sanctuary. There was magic in his world from birth.
“The castle will keep him safe,” said Dumbledore, when McGonagall came into his office to complain for the eighth time about Albus’s rather cavalier take on child-rearing. “That’s what it does.”
“Then why do we bother with chaperones ever,” McGonagall said, tempted to shriek it. “Should we let all the children run about willy-nilly at all hours, or just the orphan waifs?!”
“He’s not a student. He’s a ward of Hogwarts. It will take care of him, Minerva.”
McGonagall walked off fuming. A cat with spectacle markings followed Harry almost constantly from ages three through four. At some point McGonagall was far enough behind on her paperwork, and had seen enough suits of armor carry the kid back to his room, enough draperies lift off the wall and tug Harry away from edges, and enough stairs creakingly shift their slope for his tiny toddler legs. She gave a grumpy sigh, stole some of Albus’s lemon drops, and resigned herself to a magical world.
The Grey Lady, the ghost of Ravenclaw Tower, didn’t really like boys but she liked children. She especially liked patience, and politeness, and Harry had been raised by McGonagall’s stern table manners, by Victorian portraiture and quite a few House Elves. He said please, thank you, and ma’am, and as a child he was very cunning in how he got bedtime stories and bedtime snacks out of most every adult he met.
The Grey Lady told the best stories, you see, the ones with riddles in them. You had to think and ask questions to get all the way through them. So he hunted her down with big patient eyes and plates of very smelly cheese, and she told him stories that made him think.
When Harry was stable enough on his feet to walk, and then to run, Sir Cadogan would race him through the castle, the knight scattering banquet tables and galloping across landscapes, twisting through the abstract gallery up on the seventh and a half floor. Harry stumbled and sprinted up stairways and didn’t notice for years the way Cadogan waited at the end of corridors for him to catch up.
Harry was a chubby-legged toddler, in this world–cute cheeks and stubby limbs. It’s a cute image, yes– but this is important. He was a chubby kid. He ate in a high chair on the teacher’s dais, getting peas and mashed potatoes on the adults beside him– Sprout laughed. Snape didn’t.
But this is important–Harry filled his plate. He wobbled up on little legs and grabbed biscuits from the table, slurped his soup, got marinara sauce on his chin and forehead and somehow behind his ear. When he was hungry, he ate. If he snuck down to the kitchens at night, it was for the adventure of it and nothing else. When he was hungry, he ate.
When he was four, they started letting him go sit down with the students. Bill Weasley, on route to be a prefect next year, took him under his wing and scrubbed his face down after meals. Harry was passed around the Hufflepuff table; theirs was the House Common Room he most liked sneaking into, with its barrels and cozy warmth. Nymphadora Tonks turned her nose a dozen different shapes to make Harry laugh, gurgling, as a toddler (and then a child) (and then for the rest of her life, honestly–it never stopped being funny).
The whole Ravenclaw table got distracted from meals, trying to solve riddles from a book one of their Muggleborns had smuggled in.Harry pushed his fork through his gravy, trying to draw out his thoughts but only making squiggles.
It was years before Harry sat at the Slytherin table for the first time–no one had ever set him down there, like they had with the others. But he liked green–it was the color of Professor Sprout’s greenhouses, where he went and napped sometimes in winter. It was the color of his mother’s eyes, from the little book of moving pictures Hagrid had given him when he was three.
All the Slytherin kids seemed big, but everyone Harry ever met seemed big–except for Flitwick, who was seeming smaller with every growth spurt. He leaned forward, teetering on the bench, and grabbed a chicken drumstick. “Hi,” he said, because he’d had a childhood full of tea parties with high portrait society– the French nobility and the tired housewife from the third floor and an old witch with her sleeve on fire but very particular table manners. “I’m Harry. What’s your name?”
By the end of the meal, they were flicking peas across the table with their spoons, like catapult projectiles. Harry had been unwelcome in so few places in his life, after he’d left 4 Privet Drive, that he simply didn’t expect it. He asked Warrington, a Slytherin with shoulders like a bulldog’s, to help him with the juice, which was too unwieldy for his kid-sized wrists. Harry sat there blinking, smiling, until Warrington took the jug and poured him a brimming glass.